![]() | LUCK BE A LADY THE IMPOSSIBLE DREAM SURREY WITH THE FRINGE ON TOP TOO CLOSE FOR COMFORT ONE NIGHT IN BANGKOK THEY'RE PLAYING MY SONG I WON'T SEND ROSES BIG ROCK CANDY MOUNTAIN BRING HIM HOME MAGIC TO DO / IF YOU COULD SEE HER GRAND KNOWING YOU WHAT KIND OF FOOL AM I? PUZZLEMENT / SOLILOQUY SEPTEMBER SONG THE AMERICAN DREAM |
Who are Broadway's Greatest Leading Men? A most talented and diverse group of actors whose show-stopping performances are unforgettable. They come from different generations and divergent genres of theater. Each performer has a totally unique style. And yet, as we celebrate on this album, all share the star qualities of charm, charisma and personality. If there is a "grandfather" to the fine gentlemen featured on this album, it would have to be George M. Cohan, America's first great Broadway Leading Man. Cohan was industrious - writing, directing and starring in his own musicals. And like this entertainment pioneer, many of the Broadway stars who followed were personalities rather than trained actors or singers. We remember Al Jolson, Eddie Cantor and Bob Hope more for the way they performed than for the shows in which they appeared. Fred Astaire became a dancing legend and an actor of depth in Hollywood, but on Broadway in the 1920s and early '30s, he was simply considered a nimble performer in lightweight fare. In the 1940's, however, an evolution occurred in the theater. Composers such as Rodgers & Hammerstein began to create original shows with fully integrated stories and music. Oklahoma! (1943) and Carousel (1945) even had full passages of dialogue sung or set to music. Musical numbers now came out of dramatic scenes, and it made sense to have a Broadway Leading Man who could 'act' in song as well as in dialogue. This is the versatile performer showcased in Broadway's Greatest Leading Men. |